A Garland of Sonnets

  • A Celebration of the Wheel of the Year
    in Places Around the Bay

    Patria Brown, Poetry
    Barbara Clark, Monotypes

    This chapbook is a second edition of a collaboration between a painter and a poet. Our connection grew out of experiences hiking in places around the San Francisco Bay over many years. Out of this closeness evolved an exhibition of poetry and painting to celebrate sacred sites around the bay as the wheel of the year turns.

    As we painted and wrote, we discovered that our creative endeavors inspired each other.

    Although we worked in different media, we met often, feeling a sense of excitement, even crossing the boundaries of our disciplines, broadening our perceptions, deepening our insights.

    In response to Barbara’s series of thirteen painted panels that were displayed for the exhibition, Patria composed a garland of sonnets, a cycle of thirteen interconnected poems of fourteen lines. In addition to the paintings, Barbara created a series of monotypes especially for the book.

    Together, the works capture the journey of light through

    Dawn in Saint Patrick’s Seminary,
    Morning in Kirby Cove,
    Sunset in the Alviso Slough,
    Dusk on Mt. Umunum,
    Midnight on Mt. Hamilton,
    Yule in the Baylands,
    Brigid in Buckeye Canyon,
    Eostar on Mt. Tamalpais,
    Beltane on Summit Trail,
    Litha in Coyote Creek,
    Lughsdad on San Bruno,
    Mabon in Owl Canyon, and
    Samhain in Eucalyptus Grove.

  • Midnight on Mt. Hamilton

    Sister stars laughing—
    long and cold— the trip hard
    far beyond the place where
    no one sees spruce, sun-dashed,
    or rain-impregnated hills, wind—
    funneled on the coast’s ragged dance.

    In this empty region, dying light
    burns steady. When called, Father, you
    will not soon return, nor may they linger.
    Hurled earthward, they land square beneath
    the raven, shy on this rocky trail of hurt.
    No balm for their wounds but words—

    the search greater than all telling—
    inside the body of fire— this live altar.

  • Brigid in Buckeye Canyon

    Imbolc, February 2nd

    The last thread in her tapestry of loss—
    out of the dark— fruit fallen—

    tufts, pale, sudden as hope, and
    glad water rushes down the gorge.

    In a tangle of cottonwood, sweet
    hearts plunge fast, gurgle, practice sex,

    stagger up the swelling brook where
    manzanita reaches out to snag a sleeve.

    The only change lovers make
    is closeness to their kin.

    The final days— their arms around each dying
    friend, the trees desire — a natural end.

    The flicker sings of sustenance, not doom.
    Butterflies sleep in their cocoons.

  • Eostar on Mt. Tamalpais

    Spring Equinox March 19th

    Butterflies sleep in their cocoons,
    undulations of green—
    Monterey cypress startled by

    such smooth surfaces
    serpentine jutting— newest
    offspring of yawning Mother
    Earth. Gray boulders breach
    mottled jade thrones.

    Lay down your body—red petal,
    white seed, laurel leaf—
    bay spirit— spiral of stone!—
    Her veins, fissures,
    chasms curve seaward,
    leaving the pubis exposed.

  • Beltane on the Summit Trail

    May 2nd

    Leaving the pubis exposed
    at the summit— heat.

    The moon haunts
    all the shadows—
    our silent mother.

    On slopes distant
    from her milky stroke,
    she soothes my clefts

    where the silverspot nests.

    I keep the count of those
    who suck each clover
    and rarely move

    where lava once poured over.

  • Litha in Coyote Creek

    Summer Solstice June 21st

    Where lava once poured over
    
rivers of rock flowed inward
    towards this tawny beach.

    An inlet sparkles open,
    and two creeks rush with
    the insistence that is water—

    tumble forward, restless—
    thunder of a thousand tongues.
    What gift could you bring?

    A song ascends the canyon of
    madrone— thick with miner’s grass—

    the scent of lizard’s breath
    tickling her ruddy crevices—
    the blood of shooting stars.

  • Lugsdad in San Bruno Mountain

    August 2nd

    The blood of shooting stars—
    arches. Seeking the cooling
    touch reaching ever up,
    laughing in coyote brush, fields of
    lupin and mallow disappeared.

    With want and quaking—
    expectancy ignites
    strikes from the side, splits
    right through, falls back,
    feels loss in the core

    forehead falling to the feet,
    insides spilled out, piled up—
    half my heart brought down
    Though I am aroused.

  • Mabon in Owl Canyon

    Fall Equinox, September 22

    Though I am aroused,
    and fog descends, drab
    brother rolling my ravines,
    glistening, then wet.

    Exposed— pain
    yearns for love,
    release and the fall
    back into myself.

    Offspring dig into my flesh.
    By day, they forget me,
    yet they will return
    to my night. I nurture

    all my children,
    then I eat them.

  • Samhain in Eucalyptus Grove

    Then I eat them—
    the berries— fierce messengers
    of heart harbored in this hollow.

    Robins fatten on linked seeds—
    plump flesh of the soil, heaped,
    damp maidenhair turning
    black eucalyptus peeling
    creamy veins of secret rivers.

    Berries scream red through winter—
    piercing pleasure in curls of bark,
    night lengthening next to my ripening.

    Ripen, ripen until you fall free.
    Be buried. Join me
    .
    At dawn, the body burns.

  • Yule in the Baylands

    Winter Solstice (December 21)

    Inside the body of fire, this live altar—
    Oh! To be young again,
    riding the Mother waters,
    lulled by the sapphire—
    hope keeping starry vigil!

    Form comes forth from nothing—
    swaddled in sheets of ice

    ’Til morning, then
    sound— the short name
    of woman cresting.

    Wonder spins
    In languages of spiders, hisses
    out each newborn’s breath—
    the last tread in her tapestry of loss.

  • Dusk on Mt. Umunhum

    You have found another world—
    grasses shimmering, the latent fire
    of chaparral— out of the owl’s sweep.

    Beneath the killing eye,
    a morsel in the dusk-filled weeds.
    A fir branch rustles sharp— Father,

    they carry their dying dark and green,
    a sacrifice to the silhouette of pines,
    who never cry at sunset. You taught

    how men are dangerous, and what
    we all destroy when we swerve from
    what we were meant for. Into the night

    your souls will go out—
    sister stars, laughing.

  • Morning in Kirby Cove

    Offered up in the tule fog of morning,
    rustling by teasel, whispering sisters
    steer through the salt marsh in
    rusty yellow boats, captives
    of the great blue heron.
    One cautions the other.
    Aim your paddle at the roots
    of the reeds we’re to gather.
    In a dream,
    their grandmother said,
    weave a cape, cut, dry
    soak tule in salt water.
    Make days together
    twisting time into strength.

  • Dawn in St. Patrick’s Seminary

    Dawn in St. Patrick’s Seminary

    At dawn, the body burns.
    What has been its moist
    red ground for decades is
    going to disappear. Desert sage—
    cut, dried, prepared to bristle,
    sear, smoke— incense for the sun.

    Outside, the hoot of an owl—
    the sun rises. The mice relax.
    After the rains, the fertile land
    will be given up. Nests of songbirds
    harvested, gone. Tree of the last virgin
    offered up— the flower of her mother.

    The bunch grasses of all the lovers,
    offered up in the tule fog of morning.

  • Sunset in Alviso Slough

    Twisting time into strength,
    snowy egrets linger— slow
    dinner rises from the mire.
    Tall as tules, one sister—
    hair falling down— silver, gold,
    down her waist. The short one
    slices off clumps of stems
    two stalks at each center—
    heart. Retreating, vessel full—
    reeds, pungent, with bay mud
    gliding deep into the rust of
    afternoon. Twining their souls.
    You have found another world.